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December 4, 2017

(This is a re-posting from my old blog, originally published January 28, 2013. I made small edits to it Dec. 2017)

I began writing this post as a review of the LA Philharmonic’s recent premiere of Peter Eötvös’s second violin concerto, “DoReMi,” but it has expanded to something a bit more soul-searching. I was...

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(c) 2019 Austin Wintory. All rights reserved.